Wholesale of occult ritual robes

If Verne's submarine could materialize, why not his moon rocket? The question excited a lot of boys besides Marvel Parsons - but unlike most of them, he made a difference. He became John Parsons, almost certainly (as this book documents) the one person who contributed most to rocket science. Two of the institutions he helped set up, the Jet Propulsion Laboratory in Pasadena and the Aerojet Corporation, still play major roles in space exploration.
You will learn more about John Parsons' recognized scientific achievements in the following text: I will focus on his other, still controversial, work. Just remember, when he started building rockets, most people found them to be just as "daft" as anything else he did. Yet his meticulous scientific experiments freed mankind from terracentrism and showed us the way to a fate in the stars.
The rocket engineer John Parsons also made friends with the leading "Fantasy" and "Sci-Fi" authors in the Los Angeles / Pasadena area and entered a subculture where no idea seemed too crazy to discuss: a world where mainstream science, frontier science, pseudo-science, philosophical speculation, and visionary notion went wildly jumbled together - in short, a world that anticipated and helped generate most of the "strange and weird" ideas that have infiltrated every aspect of our culture today , except for the most reactive enclaves of Mississippi and the US Congress.
Then, as now, it didn't take a big leap to move from the futuristic and fantastic world to sex, drugs and magick.
(From the introduction by Robert Anton Wilson)

On June 26, 1942, John and Helen Parsons moved from 168 Terrace Drive to the old Arthur Fleming Estate at 1003 South Orange Grove Avenue, just a few blocks from where he grew up: 537 South Orange Grove Avenue. The Fleming mansion was in an expensive and exclusive part of Pasadena which, as noted, was called "Millionaire Mile"; Palm trees lined the streets and blooming magnolias adorned the courtyards. There was also a smaller driver's house on the premises at 10031/2 South Orange Grove Avenue, where Wilfred Smith lived. Life in Pasadena in the early 1940s is accurately described in James Cain's novel Mildred Pierce, which was filmed with Joan Crawford.
According to writer Iris Chang, Parsons had a mannequin in a tuxedo on his front porch with a sign saying "The Resident" on it. There was a pail next to the doll for the postman to throw in the mail addressed that way.
Built from redwood by its namesake around the turn of the century, this property was modeled on the Norwegian houses of that time. There were 10 bedrooms on three floors in the main house, plus several more in the coach house behind. A small domed pavilion supported by six pillars stood in the back yard. Parsons converted the buildings on the site into about 19 apartments. The house was demolished in the late 1940s to make way for an apartment building.
... Parsons took over the property as a hire purchase from Dean and the Agape Lodge moved to "The Parsonage", the "rectory" as it was soon to be called. Dean doesnâ € ™ t appear on the membership lists from that period, but he must have been privy to and benevolent of the lodgeâ € ™ s activities since, according to the 1947 city directory, he and his wife resided in the house with Parsons and the others. Parsons' bedroom on the upper floor, which was the largest room, also served as a temple. Here was the obligatory (handcrafted) copy of the Stele of Revelation, an Egyptian tablet that had inspired Crowley during his 1904 trip to Cairo, where it was numbered 666 in the Museum of Antiquities. Crowley's translation of the stele appears in Liber AL, where in a section, AL III: 10, a copy is required for ritual purposes. The Parsonage also contained a beautiful wood-paneled library, a large signed portrait of Crowley, hundreds of books on occult subjects, and the myriad of letters Crowley and Parsons exchanged. There was a modern, expensive hi-fi system in the living room - Parsons loved playing classical music at a very high volume.
... Parsons shocked his conservative neighbors when he started giving rooms to less desirable tenants. The frequent visitors, noisy parties and questionable events raised many eyebrows. One visitor wrote that "two women in sheer robes danced around a fire pot, surrounded by arrows with candles on them ... If those robes caught fire, the house would go up like tinder, all that was on was I could think at the moment. " He also said that an opera singer and various astrologers lived in the house. It is amusing to imagine the contrast between the previous owner's habits and what Lily Busch and her friends might have thought about all of this.
One of the long-term residents of the Parsonage was Alva Rogers, who came into contact with the house after attending several science fiction meetings there. It was during these meetings that Rogers fell in love with a young artist who lived there and came to visit whenever he could before he moved in. In a 1962 fanzine article, he wrote:
"In the advertisements that were posted in the local papers, Jack stated that only bohemians, artists, musicians, atheists, anarchists, or other exotic types - any profane soul should apply for spaces That advertisement caused, needless to say, some wind in Pasadena when it appeared ... There was a fine selection of handpicked residents, all real characters. A few examples: the professional fortune teller and Seer who always wore appropriate clothes and decorated her living quarters with symbols and artefacts from arcane lore; then a lady, well past middle age but amazingly beautiful, who at various times claimed to be the mistress of half of all famous men in France; a man who was a famous organist in most of the great cinema palaces of the silent era. "
(Excerpt from Chapter Five "Returning to South Orange Grove Avenue")